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發表於 28-7-2012 00:53:14
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只看該作者
Prof. Hon-Lun Helan Yang
Professor
Music History
General Concentration Coordinator
Hon-Lun Helan Yang is a Professor of Music at Hong Kong Baptist University. Yang’s research interests are cross-cultural, specializing in nineteenth-century American music and contemporary Chinese music both ‘serious’ and ‘popular’ in style and appeal. She is the author of over 30 articles that appeared in journals such as International Review of Aesthetics and Sociology of Music (2011), Asian Music (2010), Music and Politics (2007), CHIME (2005), American Music (2003), and BLOK (2003) and book chapters as in Music, Power, and Politics (Routledge, 2005), Music, Meaning & Media (Hakapaino, Helsinki, 2006), Music and Censorship (Oxford University, forthcoming), Music and Protest in 1968 (Cambridge University Press, forthcoming), Music and Politics (Ashgate, forthcoming). She is currently working on a book about three contemporary Chinese composers: Zhu Jian’er, Luo Zhongrong, and Wang Xilin as well as co-editing with Michael Saffle on a volume entitled East-West Musical Encounters: Representation, Reception, and Power Politics in Sino-Western Musical Relations.
http://www.hkcg.org/vocalsym/02/14.html#
1998楊漢倫博士年畢業於美國聖路易市華盛頓大學,主修西方歷史音樂學。自98年至今,任教香港浸會大學,現職副教授。教授本科生外,也擔任研究生指導。在十年教學期間,得過為數不少的科研經費。研究範圍包括美國十九世紀音樂、中國近現代和當代音樂、及香港流行音樂。如近期的一個科研項目,便和中央音樂學院、香港中文大學、香港大學的學者合作,研究大陸的音樂家對香港音樂發展的貢獻。楊的著作以英文為主,多在國外發表,如在期刊《美國音樂》、《磬》、《二十一世紀》等,其他的著作則在歐美各大出版社如 Routledge、Barenreiter-Verlag 的結集中出版。2008年1月,楊曾到英國西部大學(University of the West of England)和謝菲爾德大學(University of Sheffield)演講,內容有關三、四十年代白俄音樂家在上海的音樂生活,及對「女子十二樂坊」這一組合和性別解構的解讀。
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